Thursday 12 to Thursday 19 September 2024 (Part Two)

Today our group gained a unique view into the life of the budding Nashville singer-songwriter seeking a breakthrough in the Music City. As things turned out we had a quite a treat in store in the evening, as I had been most fortunate a few days before our trip to secure four tickets for the Bluebird Café, a 90-seat performance space for up-and-coming songwriters, where the likes of country artist Garth Brooks and the 14-year old Taylor Swift were first discovered. More of the Bluebird Café later, as first we had our very own guided tour of Music Row – the home of the publishing houses that make (or break) country music careers. Our guides for the daytime were Amy Alexander, daughter of a friend back in Hertfordshire, and her husband Brandon, now residents of Nashville. Amy is a recording artist, and Brandon a songwriter and guitarist: so what better way to gain an insight into the process and pathways to musical success and recognition.















Leaving Amy and Brandon to their work, the four of us took a taxi out to the suburb of Green Hills, for a dinner of chicken skewers in The Corner Pub. Then the second highlight of our day, the evening session at the renowned Bluebird Café, a tiny venue that has seen the emergence of many great talents; tonight we enjoyed the playing of five nascent stars, plus a short set from country/pop singer-songwriter Beth Nielsen Chapman. And such a treat it proved to be, experiencing such talent in close proximity, and with a chance to meet with the artists who were sitting amongst us throughout.







What an informative and enjoyable day we had! Unable to reduce my photos further, this proposed two-part Blog of our trip to Nashville is set for an extended run – so I will be back shortly with Part Three of my account of our week in the Music City. Watch this space!

My Blog heading ‘Down On Music Row’ is taken from the title of a song by Dolly Parton, off her 1973 studio album ‘My Tennessee Mountain Home’. The composition is the final number on this autobiographical concept album around the artist’s childhood in rural East Tennessee, and the lyrics describe her early struggles in breaking through on Music Row after moving to Nashville in 1964, in the days before her eventual acceptance by the RCA label.

